1. Dadodans/Gaia Gonnelli - Mappamondo
  2. Karawane - Tryater
  3. Wij gaan op berenjacht - Theater Sonnevanck
  4. De man die alles weet - Maas theater en dans
  5. Beauty en het beest - Maas td
  6. Dadodans/Gaia Gonnelli - Mappamondo
  7. Nadia - Toneelmakerij
  8. - © Saris & den Engelsman
  9. Dadodans/Gaia Gonnelli - Mappamondo
  10. Karawane - Tryater
  11. Dadodans/Gaia Gonnelli - Mappamondo
  12. Dag meneer Van Dalen - TG Graasland
  13. Oorlog - Artemis
  14. Overtreffende Trap - De Stilte
  15. Karawane - Tryater
  16. Nadia - Toneelmakerij
  17. Ntjong KLAAS
  18. Rock Paper Scissors
    with David Dickinson and Jon Gentry
  19. Breidzje - Tryater
  20. de dag dat de papegaai zelf iets wilde zeggen - Artemis
  21. Als je maar hard genoeg rent - Artemis
  22. Hoge Fronten - Niet Wiet, Wel Nel
  23. AaiPet - BonteHond
  24. Beauty en het beest - Maas td
  25. Breidzje - Tryater
  26. Als je maar hard genoeg rent - Artemis
  27. Happily Ever After - Maas td
  28. Woestijnjasmijntjes - Toneelmakerij
  29. De Stilte
  30. Oorlog - Artemis
  31. Happily Ever After - Maas td
  32. Solo van Nas en Jim - Maas td
  33. Solo van Nas en Jim - Maas td
  34. de dag dat de papegaai zelf iets wilde zeggen - Artemis
  35. This is ISH
  36. Dadodans/Gaia Gonnelli - Mappamondo
  37. Dadodans/Gaia Gonnelli - Mappamondo
  38. Breidzje - Tryater
  39. - © Saris & den Engelsman
  40. Tik Tak Slaap - Sanne Zwije / Feikes Huis
  41. Als je maar hard genoeg rent - Artemis
  42. Als je maar hard genoeg rent - Artemis
  43. Woestijnjasmijntjes - Toneelmakerij
  44. Edward Scharenhand - Toneelmakerij
  45. Nadia - Toneelmakerij
  46. Liefde - Maas td
  47. De Stilte
  48. Oorlog - Artemis
  49. Manxmouse Theatregroup Kwatta
  50. Karawane - Tryater
  51. Dadodans/Gaia Gonnelli - Mappamondo
  52. - © Saris & den Engelsman
  53. Het Houten Huis - Muziek van beneden - © Saris & den Engelsman
  54. Liefde - Maas td
  55. Liefde - Maas td
  56. Woestijnjasmijntjes - Toneelmakerij
  57. De man die alles weet - Maas theater en dans
  58. Solo van Nas en Jim - Maas td
  59. Breidzje - Tryater
  60. Liefde - Maas td
  61. Eitje - Maas td

Assitej International


ASSITEJ stands for the International Association of Theatre for Children and Young People,

(French: Association Internationale du Théâtre de l’Enfance et la Jeunesse) and was established in 1965 as an international alliance of professionals involved in theatre for children and young people.

ASSITEJ unites theatres, organizations and individuals throughout the world who make art for children and young people.


In the mission, ASSITEJ states its dedication to the artistic, cultural and educational rights of children and young people across the globe and advocates on behalf of all children regardless of nationality, cultural identity, ethnicity, or religion.

For more information: www.assitej-international.org/constitution

ASSITEJ aims at connecting people in the field of theatre for children and young people in order to deepen understandings, develop practice, create new opportunities and strengthen the global sector, on behalf of all children everywhere.


The members of ASSITEJ are national centers, professional networks and individuals. Assitej Belgium is the official Belgian national centre, representing all three linguistic communities in Belgium. In total there are around 85 national centres.

Executive committee and president

The organization is run by the executive committee, consisting of 14 people. President is Yvette Hardie, a South African theatre producer, director, educator, and writer active in the world of theatre and performance, with a particular focus on theatre for children and young people. She is festival director of the Out The Box Festival of Visual Performance and Puppetry (2011), after having served as family festival Curator (2010), and she initiated and ran the Festival of Fame, Johannesburg, for the first three years of its existence. She has developed curricula, designed unit standards and written textbooks and educational handbooks for the Performing Arts in schools and in further education. Her work as a course leader for Creative Voices serves to empower arts and culture teachers to deliver quality education. She initiated the launch of ASSITEJ SOUTH AFRICA in 2007, bringing together theatre practitioners with a common passion for theatre for children and young people.

World congress

The general meeting of ASSITEJ international is the World Congress, held every three years in another city. The last one took place in Poland in 2014, but before congresses were held in Warsaw, Prague, Lyon, Madrid, Adelaide, Seoul, Rostov on Don, Tromsø, Albany, etc. The next world congress will take place in South Africa in 2017.

Artistic gatherings

Next to the rather massive world congress ASSITEJ, has installed annual artistic gatherings. Next appointment is Birmingham in summer 2016 for a mix of international shows, meetings and discussions.


ASSITEJ is affiliated with several practitioner networks, including the International Inclusive Arts Network (IIAN) and the International Theatre for Young Audiences Research Network (ITYARN).

Professional networks bring together theatre companies, organizations or persons across cultural, linguistic, national and other divides, because of a shared interest or need related to the field of theatre for children and young people. In professional networks, membership is often specific to a particular area of specialization in the field. You can find all ASSITEJ networks here.


Next Generation

The ASSITEJ Next Generation Programme is meant for young artists in Theatre for Young Audiences (TYA). It includes Group Residency Programmes and Individual Placements. The programme is designed to create new opportunities for learning and to enable international exchange and collaboration between younger artists.

Next Generation Residencies

This is a programme designed to support artistic and cultural networking, exchange and collaboration between artists within festivals and other international settings through a special programme for a group.

The first Next Generation group met in Adelaide, Australia, during the 16th.ASSITEJ Congress. Since then there have been Next Generation Residencies in Okinawa, Japan (2012) during the 1st. ASSITEJ International Meeting within Kijimuna Festa, Linz, Austria (2013) during the 2nd.ASSITEJ International Meeting within the Schäxpir Festival. In 2014 a new group of 25 participants met in Warsaw, Poland, during the 18th. ASSITEJ Congress at the Korzak Festival. A group of 38 artists from ‘developing countries’ have been brought together for Augenblick-mal, the 2015 ASSITEJ Artistic Gathering.

You can find the residencies HERE.

Next Generation Placements

ASSITEJ supports Next Generation Placements to provide younger theatre artists, producers and administrators with an individual opportunity for international mobility within the field of TYA and in order to encourage contact and exchange between experienced and emerging artists.

Young people with an interest for and/or experience in TYA will have the opportunity to learn and work with artists in a country different to their own, within the framework of a placement provided by a host. This could include a festival, seminar, workshop, forum, production, etc.

Any person related to TYA between 18 and 35 years old may apply for a placement through this program, and may apply to ASSITEJ for limited financial support.

You can find the placement offers HERE.

About the placements offers

The placements programme is a rolling programme in which temporary placements may be offered by companies, centres, networks, festivals or associations and may include participation in festivals, seminars, forums, workshops, productions or any other project within the field of TYA. They will allow younger and emerging artists to have experience in acting, directing, production, playwriting, design, administration, or any TYA related tasks in an international context.

The length and other conditions of the placement may vary.  The placement may or may not include an offer for accommodation, financial support or meals. Each placement offer may be for one or more people. Each offer should be made with a detailed description of the activities involved and other conditions. A contact person should be mentioned in the offer.

To make an offer: fill out the Placements Offer Form.