1. Solo van Nas en Jim - Maas theater en dans
  2. Trui - Sanne Zweije
  3. Woestijnjasmijntjes - Toneelmakerij
  4. Karawane - Tryater
  5. Liefde - Maas theater en dans
  6. Happily Ever After - Maas theater en dans
  7. Oorlog - Theater Artemis
  8. Mappamondo - Dadodans/Gaia Gonnelli
  9. Zwier
  10. Beauty en het beest - Maas theater en dans
  11. Nadia - Toneelmakerij
  12. Expeditie Peter Pan - Het Laagland
  13. Mappamondo - Dadodans/Gaia Gonnelli
  14. Karawane - Tryater
  15. Muziek van Beneden - Het Houten Huis
  16. Hoge Fronten - Niet Wiet, Wel Nel
  17. Woestijnjasmijntjes - Toneelmakerij
  18. In mijn hoofd ben ik een dun meisje - NTjong
  19. Onderstebodem - Toneelmakerij
  20. Liefde - Maas theater en dans
  21. Woei! -
  22. Tik Tak Slaap - Sanne Zwije / Feikes Huis
  23. Cellostorm - Oorkaan
  24. Sluier - Danstheater AYA
  25. Wij gaan op berenjacht - Theater Sonnevanck
  26. Expeditie Peter Pan - Het Laagland
  27. Guerilla - Danstheater AYA / DOX
  28. Breidzje - Tryater
  29. Breidzje - Tryater
  30. Karawane - Tryater
  31. De Tantes - Toneelmakerij
  32. Oorlog - Theater Artemis
  33. Vliegende koe - De Stilte
  34. Episch - DOX
  35. Falling Dreams - Het Filiaal
  36. De dag dat de papegaai zelf iets wilde zeggen - Theater Artemis
  37. Liefde - Maas theater en dans
  38. Overtreffende Trap - De Stilte
  39. Fantastische Meneer Vos - Meneer Monster
  40. Liefde - Maas theater en dans
  41. Mappamondo - Dadodans/Gaia Gonnelli
  42. Edward Scharenhand - Theater Sonnevanck
  43. Als je maar hard genoeg rent - Theater Artemis
  44. Als je maar hard genoeg rent - Theater Artemis
  45. Mappamondo - Dadodans/Gaia Gonnelli
  46. Solo van Nas en Jim - Maas theater en dans
  47. Tik Tak Slaap - Sanne Zweije
  48. Breidzje - Tryater
  49. Sterrenwachter - TG Winterberg
  50. Karawane - Tryater
  51. GTA5 - Toneelgroep Oostpool
  52. Mappamondo - Dadodans/Gaia Gonnelli
  53. Alice - De Stilte
  54. This is ISH - ISH
  55. Nadia - Toneelmakerij
  56. Buurvrouw en Buurvrouw - Het Kleine Theater
  57. Woestijnjasmijntjes - Toneelmakerij
  58. Breidzje - Tryater
  59. Als je maar hard genoeg rent - Theater Artemis
  60. Dag meneer Van Dalen - TG Graasland
  61. Solo van Nas en Jim - Maas theater en dans
  62. Als je maar hard genoeg rent - Theater Artemis
  63. Bromance - Toneelgroep Oostpool
  64. Nadia - Toneelmakerij
  65. Happily Ever After - Maas theater en dans
  66. Eitje - Maas theater en dans
  67. De man die alles weet - Maas theater en dans / Theater Artemis
  68. AaiPet - BonteHond
  69. I Call My Brothers - Danstheater AYA / Toneelmakerij
  70. De dag dat de papegaai zelf iets wilde zeggen - Theater Artemis
  71. Manxmouse - Theatregroep Kwatta
  72. Klaas - NTjong
  73. Leo en Lena - NTjong
  74. De PindakaasPrins - Oorkaan
  75. Beauty en het beest - Maas theater en dans
  76. Mappamondo - Dadodans/Gaia Gonnelli
  77. De grote illusionist - Het Filiaal
  78. Oorlog - Theater Artemis
  79. Mappamondo - Dadodans/Gaia Gonnelli
  80. De man die alles weet - Maas theater en dans / Theater Artemis

Dutch Network

Theatre companies and individual makers for young Audiences make artistically valuable plays, combining different genres and sources of inspiration, for audiences ranging from toddlers to teenagers.

With drama, dance, music, mime, cabaret, puppetry and opera, the doors of the theatres in the Netherlands are wide open to a multicultural public, ranging from toddlers to teenagers. The diversity of the work on offer and the age range provided for are becoming increasingly wider. At one end of the growth curve, the repertoire for age 15 and up merges with that for the adult theatregoer. At the other end, the repertoire for age 2 and up is on the increase, providing theatre for an audience that is barely out of nappies yet.

A good impression about the history and current scene was written by Dutch Performing Arts and can be read here: http://www.dutchperformingarts.nl/background/why_should_theatre_only_be_for_adults_/

The established theatre companies for young Audiences are spread throughout the country and, in principle, every province has at least one company of its own that specializes in young people’s theatre in the so-called BIS (Basic Infra Structure). A part of them receive structural subsidy from the government for four-year periods to make performances for the school circuit and theatres. In 2012, subsidized theatre for young audiences in the Netherlands embraces some thirty companies and work places besides the performing arts for a young audience created by companies from the adult circuit. In 2013 this landscape changed dramatically. The government decided to make big cuts in the Performing Arts and Theatre for Young Audiences and the educational system around that, was not spared. A lot of subsidized and non-subsidized groups had to look for new ways to survive, in making smaller scale shows, to find sponsors or other funding, or make new alliances either with (adult) theatre groups or other theatre disciplines. To work together and to built strong audiences in your own area is more important than ever.