1. Ignite - ISH
  2. Wij gaan op berenjacht - Theater Sonnevanck
  3. Liefde - Maas theater en dans
  4. Mappamondo - Dadodans/Gaia Gonnelli
  5. Tik Tak Slaap - Sanne Zwije / Feikes Huis
  6. Solo van Nas en Jim - Maas theater en dans
  7. Nadia - Toneelmakerij
  8. GTA5 - Toneelgroep Oostpool
  9. Als je maar hard genoeg rent - Theater Artemis
  10. Woestijnjasmijntjes - Toneelmakerij
  11. Karawane - Tryater
  12. Buurvrouw en Buurvrouw - Het Kleine Theater
  13. Happily Ever After - Maas theater en dans
  14. Liefde - Maas theater en dans
  15. Zwier
  16. Overtreffende Trap - De Stilte
  17. Manxmouse - Theatregroep Kwatta
  18. Beauty en het beest - Maas theater en dans
  19. Mappamondo - Dadodans/Gaia Gonnelli
  20. De Tantes - Toneelmakerij
  21. Mappamondo - Dadodans/Gaia Gonnelli
  22. Als je maar hard genoeg rent - Theater Artemis
  23. Liefde - Maas theater en dans
  24. Karawane - Tryater
  25. Dag meneer Van Dalen - TG Graasland
  26. Sterrenwachter - TG Winterberg
  27. Nadia - Toneelmakerij
  28. Nadia - Toneelmakerij
  29. I Call My Brothers - Danstheater AYA / Toneelmakerij
  30. Breidzje - Tryater
  31. Als je maar hard genoeg rent - Theater Artemis
  32. Falling Dreams - Het Filiaal
  33. Breidzje - Tryater
  34. Mappamondo - Dadodans/Gaia Gonnelli
  35. Fantastische Meneer Vos - Meneer Monster
  36. Expeditie Peter Pan - Het Laagland
  37. Leo en Lena - NTjong
  38. De PindakaasPrins - Oorkaan
  39. In mijn hoofd ben ik een dun meisje - NTjong
  40. Episch - DOX
  41. Oorlog - Theater Artemis
  42. Als je maar hard genoeg rent - Theater Artemis
  43. Klaas - NTjong
  44. Oorlog - Theater Artemis
  45. Mappamondo - Dadodans/Gaia Gonnelli
  46. Oorlog - Theater Artemis
  47. 4 Musketiers - Holland Opera
  48. The Basement - De Dansers
  49. De dag dat de papegaai zelf iets wilde zeggen - Theater Artemis
  50. AaiPet - BonteHond
  51. Happily Ever After - Maas theater en dans
  52. Karawane - Tryater
  53. Sluier - Danstheater AYA
  54. Muziek van Beneden - Het Houten Huis
  55. Alice - De Stilte
  56. Woestijnjasmijntjes - Toneelmakerij
  57. Expeditie Peter Pan - Het Laagland
  58. Trui - Sanne Zweije
  59. Liefde - Maas theater en dans
  60. Solo van Nas en Jim - Maas theater en dans
  61. Woestijnjasmijntjes - Toneelmakerij
  62. Vliegende koe - De Stilte
  63. De dag dat de papegaai zelf iets wilde zeggen - Theater Artemis
  64. Solo van Nas en Jim - Maas theater en dans
  65. Tik Tak Slaap - Sanne Zweije
  66. Hoge Fronten - Niet Wiet, Wel Nel
  67. Cellostorm - Oorkaan
  68. Guerilla - Danstheater AYA / DOX
  69. De grote illusionist - Het Filiaal
  70. Onderstebodem - Toneelmakerij
  71. Bromance - Toneelgroep Oostpool
  72. Woei! -
  73. Mappamondo - Dadodans/Gaia Gonnelli
  74. De man die alles weet - Maas theater en dans / Theater Artemis
  75. Breidzje - Tryater
  76. Edward Scharenhand - Theater Sonnevanck
  77. Eitje - Maas theater en dans
  78. De man die alles weet - Maas theater en dans / Theater Artemis
  79. Beauty en het beest - Maas theater en dans
  80. Breidzje - Tryater
  81. Karawane - Tryater
  82. Mappamondo - Dadodans/Gaia Gonnelli

Dutch Network

Theatre companies and individual makers for young Audiences make artistically valuable plays, combining different genres and sources of inspiration, for audiences ranging from toddlers to teenagers.

With drama, dance, music, mime, cabaret, puppetry and opera, the doors of the theatres in the Netherlands are wide open to a multicultural public, ranging from toddlers to teenagers. The diversity of the work on offer and the age range provided for are becoming increasingly wider. At one end of the growth curve, the repertoire for age 15 and up merges with that for the adult theatregoer. At the other end, the repertoire for age 2 and up is on the increase, providing theatre for an audience that is barely out of nappies yet.

A good impression about the history and current scene was written by Dutch Performing Arts and can be read here: http://www.dutchperformingarts.nl/background/why_should_theatre_only_be_for_adults_/

The established theatre companies for young Audiences are spread throughout the country and, in principle, every province has at least one company of its own that specializes in young people’s theatre in the so-called BIS (Basic Infra Structure). A part of them receive structural subsidy from the government for four-year periods to make performances for the school circuit and theatres. In 2012, subsidized theatre for young audiences in the Netherlands embraces some thirty companies and work places besides the performing arts for a young audience created by companies from the adult circuit. In 2013 this landscape changed dramatically. The government decided to make big cuts in the Performing Arts and Theatre for Young Audiences and the educational system around that, was not spared. A lot of subsidized and non-subsidized groups had to look for new ways to survive, in making smaller scale shows, to find sponsors or other funding, or make new alliances either with (adult) theatre groups or other theatre disciplines. To work together and to built strong audiences in your own area is more important than ever.